Nach-Bürgerkriegszeit oder das unendliche Vergessen

Abstract

The tragic figure of Oedipus, recreated by Sophocles in Oedipus the King (420 BC) and in Oedipus at Colonus (401 BC), places us in front of a conflict which proved perfectly modern in Spain in the transition between the 20th century and the 21st century. This conflict became manifest around the titanic mausoleum of a tyrant that the community tends to expel from its memory